When Justine McLaughlin and I decided to pair up to produce and direct (respectively) You’re A Good Man, Charlie Brown, we thought it would be a fun and light addition to Gallery Players’ 50th season. And it is - it is sweet and nostalgic. But we started rehearsals as the tides changed in our country and, suddenly, the show became something more. Never have I been more aware that the stories we tell and how we tell them can shape our small corner of the world.

We have a responsibility to all audiences, but especially to our young audiences. Theatre is a way of showing them how the world can be. We wanted to create a kinder and more thorough embodiment of the Peanuts Gang. So we spoke to kids about their own experiences. We talked about the daily trials of being a kid. We reframed the characters with gentleness and understanding, turning “outcasts” into unique individuals and “bossy” girls into strong leaders. We want to tell a story where it is ok to have a blanket or a lovey to keep you feeling safe and warm at night and where a little girl can be physically adventurous and bursting with energy. More than anything, by creating our loving version of the Peanuts Gang, we wanted to insist that everyone belongs and that community must protect and honor difference.

So as it turns out, You’re A Good Man, Charlie Brown did end up being light. It is a light that is bright and bold, that stands out in the darkness, and that promises a community of acceptance. Here’s to all of the kids out there who, like Charlie Brown, “bravely face adversity” - it’s true that “with a heart such as yours, you can open any doors.” “You’re the kind of reminder we need.” Let your light shine.